School for Schoolgirls

‘School for Schoolgirls’ is a 54-minute-long movie made by George Harrison-Marks in 1994.  It was released through Kane International (catalogue number 60) in the UK .  Sometime in the mid-nineties, George Harrison-Marks (GHM) ended the distribution agreement between Kane International and CalStar and this movie was released in the US by Bizarre Video as ‘Schoolgirl Fannies on Fire’ in 1995.  Bizarre Video still exists but they have deleted most older titles from their catalogue.  To the best of my knowledge, this movie is not currently available from any distributor or video on demand service.

‘School for Schoolgirls’ features GHM’s frequent collaborator Larry Barnes in a movie that consists of two, completely independent segments, the first featuring Jenny Close (billed as Caron Shields) and Amber Scott and the second featuring Alison Payne (billed as Liza Wiggan) and Mel Starsky, who I believe was the real life partner of Alison (see http://www.wellredweekly.com/index.php?article=418).  Jenny and Alison would later appear together in some Moonglow movies such as Well-Thrashed (Moonglow C09).

Like several other GHM movies, the first segment is set in the spanking magazine/movie industry and it involves consensual spanking rather the punishment.  The movie opens with Christina arranging auditions for actresses to meet Sir Larry Greythorpe (Barnes) who is auditioning actresses (Jenny & Amber) to play a nurse and a French Maid a new GHM video.  In their conversation Sir Larry stresses that he wants girls who are familiar with ‘the scene’ and this will figure prominently in the audition process.  This opening scene, which is entirely expository, lasts about 7 minutes.

First to audition is Amber as the French Maid.  Sir Larry is obviously pleased with what he sees and he can’t help running his hands over her, much to her dismay.  He routinely checks her red satin panties. Amber bends over and both Sir Larry and Christina hand spank her.  Amber begins to complain when Sir Larry pulls her panties down but he continues her hand spanking and then moves on to a soft leather flogger.  He finishes her audition with 12 strokes of the cane; it was meant to be six but he kept both losing count and finding reason to add more.  Caron (Jenny) is the next to audition in the nurse’s uniform.  She enters wearing her uniform in a ‘non-regulation’ manner but, after some adjustment by Sir Larry, he decides that he approves of what he sees.  Like Amber before her, Jenny begins to object as his fingers start to explore but eventually the audition begins.  Once again, Sir Larry starts with a flogger, individual strokes at first followed by a rather vigorous flurry, and then he moves on to the cane.  Like Amber before her, Jenny objects to the cane at first but eventually she submits to 8 strokes.  Together, the two parts of the audition scene last about 24 minutes.

In a completely unrelated story, ‘Thompson’ and his wife arrive to see Sir Larry.  They are taken into a classroom set where Thompson tells Sir Larry that Liza/Alison, who is wearing a schoolgirl uniform, is 22 years old but she still acts like a teenager.  Sir Larry decides that the situation calls for ‘aversion therapy’ so that she will associate her school clothes with the pain of an electrical shock.  However, Sir Larry doesn’t have the usual electrical equipment so he decides to substitute spanking for electric shock.  Alison is bent-over the desk, skirt up while Sir Larry spanks, her.  Sir Larry then declares that Thompson needs to learn the technique so he has Thompson take over while he pulls her panties down.  After this the two men take turns with a tawse, a studded strap and finally the cane.  Larry explains what parts of the bottom should be caned, then lays on 10 strokes.  Next, Liza counts as she receives 10 more from her husband.  The scene ends with final round of three strokes from Larry and three more from her husband after which he takes the cane home with him.

I was disappointed with this movie and the problem lies with the camera work.  Almost all of the scenes are filmed from behind and many are closeup or extreme closeup.  There are none of the facial views that are usually my favorites.